The Life and Legacy of Fatis Burrell

IntroductionFatis Burrell, a name recognized by many, is known for his remarkable achievements and contributions.

Philip “Fatis” Burrell, a pivotal figure in the reggae and dancehall music scenes, made an indelible mark with his innovative productions and mentorship of iconic artists. He was known for his exceptional attention to musical complexity during a time of rapidly produced Jamaican music. Burrell was instrumental in shaping the careers of major dancehall artists like Luciano, Sizzla Kolanji, and Capleton. This biography delves into the life of the legendary producer. It explores his journey, contributions, and the profound influence he had on the music industry.

Early Life and Background

Birth and Childhood

Philip “Fatis” Burrell was born on July 23, 1954, in Whitfield Town, Kingston, Jamaica. From an early age, he was exposed to the vibrant music culture of Jamaica, which would later influence his career. At the age of five, Burrell moved to the West Midlands, England, with his family. However, his stay in the UK was short-lived. He returned to West Kingston during his teenage years, a period marked by social and economic challenges.

The Influence of Kingston

The streets of Kingston, known for their rich musical heritage and turbulent social dynamics, played a significant role in shaping Burrell’s outlook and aspirations. Despite the prevailing gang violence, Burrell found solace and inspiration in the music that permeated the communities. His return to Kingston marked the beginning of his deep-rooted connection with Jamaican music.

Fatis Burrell The Rise of a Music Producer

Early Ventures in Music Production

Encouraged by music legends Henry “Junjo” Lawes, George Phang, and the influential rhythm duo Sly and Robbie, Fatis Burrell embarked on a career in music production in the mid-1980s. His initial projects involved collaborations with artists like Sugar Minott, Wayne Wade, Michael Palmer, and Tenor Saw. This resulted in a series of 12-inch EPs recorded at the renowned Channel One studio. These early works laid the foundation for his future success.

Establishment of the Vena Label

In 1985, Burrell launched the Vena label in Jamaica, focusing on nurturing emerging dancehall talent. Under the Vena imprint, he produced popular tracks for vocalists such as Sanchez, Thriller U, and Daddy Freddy. One of his standout releases was Pinchers’ “Lift It Up Again,” a lively dancehall anthem. This track resonated with audiences and gained considerable traction locally.

Fatis Burrell The Exterminator Label Era

Birth of Exterminator

Fatis Burrell’s journey took a significant turn with the creation of the Exterminator label, which later became known as Xterminator. This label became a powerhouse for dancehall and reggae music. It hosted the early works of fiery vocalist Capleton. Capleton’s collaborations with Burrell, including tracks like “Bumbo Red” and “Bible Fi Dem,” gained widespread acclaim for their religious themes and energetic delivery.

Collaboration with Capleton

Capleton’s decision to work with Burrell was influenced by their shared Rastafarian beliefs. Their partnership not only produced chart-topping hits but also introduced a new wave of religiously themed reggae music. Burrell’s ability to seamlessly blend religious messages with vibrant beats set a new standard in the genre.

Expanding the Roster

The Exterminator label’s success continued as it signed veteran artists such as Josey Wales, Cocoa Tea, Frankie Paul, and Ninjaman. Burrell’s collaborations with these artists resulted in timeless hits that solidified his reputation as a visionary producer. Additionally, his work with Ini Kamoze during this period produced exceptional singles that further elevated the label’s status.

The Transformation of Jamaican Music

Dean Fraser and the Xterminator Sound

In 1993, the Xterminator label underwent a transformation with the inclusion of saxophonist Dean Fraser as musical arranger. Fraser’s involvement brought a new depth and inventiveness to Burrell’s productions. This gave them a distinctive sound that resonated with audiences worldwide. The collaboration between Fraser and Burrell was a masterclass in musical synergy.

The Firehouse Crew

Key to Burrell’s production success was his collaboration with the Firehouse Crew. This was a talented group of musicians hailing from the Waterhouse ghetto. Led by bassist Donald Dennis and featuring drummer Melbourne Miller and keyboardist Paul “Wrong Move” Crossdale, the Firehouse Crew’s contributions added a unique flair to Burrell’s productions. Their work with Luciano resulted in the groundbreaking albums “Where There Is Life” and “Messenger,” which drew comparisons to Bob Marley’s legacy.

The Rasta Renaissance

The mid-1990s witnessed a “Rasta renaissance” in Jamaican music, largely credited to Burrell’s innovative blending of live instruments and computer rhythms. This approach revitalized the genre and influenced a new generation of artists. Although Luciano eventually left the Xterminator stable in 1998, Burrell’s impact on the music scene remained profound.

Mentorship and Legacy

Nurturing New Talent

Despite challenges, Fatis Burrell’s commitment to nurturing talent was unwavering. He continued to mentor emerging artists like Turbulence, Chezidek, and Prince Malachi. This ensured the legacy of reggae and dancehall music endured. His dedication to producing dub albums, even as the form waned in popularity, showcased his enduring passion for musical experimentation.

Building a Studio

In his later years, Burrell focused on establishing his own recording studio in Stony Hill. This was a testament to his commitment to advancing Jamaican music. Although his output had slowed, his meticulous attention to detail remained a hallmark of his work. His son Kareem Burrell joined him in the production field, carrying forward the family’s musical legacy.

Family and Personal Life

Fatis Burrell is survived by his wife, Carmelita, and several children from a previous relationship. His family continues to honor his contributions to music and his unwavering dedication to artistic excellence.

Conclusion

Philip “Fatis” Burrell’s legacy is etched in the annals of reggae and dancehall history. His pioneering spirit, commitment to musical integrity, and ability to mentor artists have left an indelible mark on the Jamaican music scene. From his early days in Kingston to his transformative work with the Xterminator label, Burrell’s influence continues to resonate. This inspires future generations of musicians and producers. His dedication to creating music that transcends boundaries ensures that his legacy will endure for years to come.